This painting is built on contrast—cool blues and violets pressing against saturated reds and warm tones. The surface shows visible hesitation and overlap, as if color is negotiating space rather than blending peacefully. The work holds a moment of friction, where opposing energies remain unresolved but fully present.
This painting is built on contrast—cool blues and violets pressing against saturated reds and warm tones. The surface shows visible hesitation and overlap, as if color is negotiating space rather than blending peacefully. The work holds a moment of friction, where opposing energies remain unresolved but fully present.
Image 1 of 2
Image 2 of 2